A rational approach
to contemporary jewellery

My approach to jewellery begins with the project. As in architecture, each piece is a question to be answered through form, proportion, function and construction.

Form emerges through the dialogue between material, hands and reasoning. It is not imposed: it results from a balance between properties, geometry, structure, function and body.

I am particularly interested in systems: pieces in which materials, joints and methods of construction are not concealed, but become part of their expression. Cutting, folding, articulating, stitching or repeating are operations that transform and determine form. The interventions remain visible and reveal how each piece was made.

I work according to a constant principle of minimal intervention. I seek simplicity, economy of means and the ability to achieve the greatest result with the fewest gestures. Whenever possible, a single operation fulfils more than one function.

Each material brings its own properties and constraints. I am interested in preserving its identity—its colour, texture, density and response to cutting, folding or tension—and combining it with others when it requires support, stability or a new constructive possibility.

The pieces exist to be worn. Their relationship with the body is present from the first gesture and informs every decision throughout the process.